----------------------------------- ---------------------------------------------------
year 4, Issue 1 (Spring & Summer 2018)                   CIAUJ 2018, 4(1): 15-26 | Back to browse issues page


XML Persian Abstract Print


Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:

Wahdattalab M, Ahmadnejad F. An Experimental Investigation of Factors Affecting the Aesthetic Desirability of the Proportions of Iranian-Islamic Domes. CIAUJ 2018; 4 (1) :15-26
URL: http://ciauj-tabriziau.ir/article-1-214-en.html
1- Faculty of Architecture and Urbanism, Tabriz Islamic Art University, Tabriz, Iran , m.wahdattalab@tabriziau.ac.ir
2- Faculty of Architecture and Urbanism, Tabriz Islamic Art University, Tabriz, Iran
Abstract:   (4212 Views)
Domes and their proportions play an important role in the visual aesthetics of Islamic architecture. Despite the importance of this element of Iranian architec­ture, no significant studies have been conducted on its geometric proportions. Previous researches are mainly concerned with their history, drawing meth­ods, formal typology and structural-climatic charac­teristics. The first question of the study concerns the concinnity of the dome and the variables that can re­produce its form and formal proportions. The second question, which in fact constitutes the main research question, is: What is the relationship between the proportions of variables composing the geometric form of the dome and people’s aesthetic prefer­ences? And, to compound this question further, what is the approximate value of this relationship in nu­merical proportions? To answer these questions, the research was conducted in two stages. The primary stage involved evaluations to identify the variables that, through being changed, could help reproduce the greatest number of dome types. One the one hand, drawing data from previous studies did not suf­fice to achieve this goal. On the other hand, control­ling or limiting these variables was crucial for obtain­ing a numerical proportion between them. The se­cond stage involved a survey design which was ad­ministered in two phases: pre-test and main test. The main test was designed as a multiple-choice computer survey in which the respondents were asked to select the dome which they perceived as the most beautiful from among a set of four presented domes, with var­ied proportions of one dome category based on the findings. In choosing the domes for the survey, we took care to select the types of domes whose forms were more familiar to our Iranian sample of respond­ents. Three pre-questionnaires were also distributed to control the effects of such factors as mode of presentation, light and materials. We first studied and categorized the concept of proportion, the types of domes and effective variables in the reproduction of the outer form of the domes and, then, evaluated the aesthetic experience of the respondents through pre­senting manipulated visual stimuli of “shoulder” and “base” sections of the dome. The data were fed into IBM SPSS Statistics and modelled by MANOVA and repeated measure ANOVA. The participants included an available sample of 86 students (f=40, m=46; ma­joring in architecture=41, majoring in other fields=45) selected from among the students of all faculties at Tabriz Islamic Art University. The participants took part in our exclusive experiment designed and coded with OpenSesame, an open-source software product. The findings suggest the existence of a significant re­lationship between the aesthetic preferences of the respondents and the proportions composing the di­mensions of the domes, especially the ones with a “base” section (2±0.06). This study shows that the beauty of Iranian-Islamic domes is not a coincidence; but rather, it follows a certain set of aesthetic princi­ples and rules.
Full-Text [PDF 1175 kb]   (7323 Downloads)    
Type of Study: Original Article | Subject: Conceptualization of theorizing in Islamic architecture and urban ism
Received: 2019/01/31 | Accepted: 2019/01/31 | ePublished: 2019/01/31

References
1. Ashkan, Maryam, Yahaya Ahmad, and Ezrin Arbi. 2012. Pointed dome architecture in the Middle East and Central Asia: Evolution, definitions of morphology, and typologies. International Journal of Architectural Heritage 6(1): 46-61. [DOI:10.1080/15583058.2010.501400]
2. Bálek, Martin and Jaroslav Nešetřil. 2004. Towards mathematical aesthetics. Citeseer.
3. Baratta, Alessandro. 2013. On the structural assessment of masonry vaults and domes. International Journal of Mechanics 7(3): 201-09.
4. Benjafield, John. 1976. The golden rectangle: Some new data. The American journal of psychology 89(4): 737-43. [DOI:10.2307/1421471]
5. Bertamini, M., C. Byrne, and K. M. Bennett. 2013. Attractiveness is influenced by the relationship between postures of the viewer and the viewed person. i-Perception 4(3): 170-79. [DOI:10.1068/i0578]
6. Birkhoff, George David. 1933. Aesthetic measure. Cambridge: Harvard University Press. [DOI:10.4159/harvard.9780674734470]
7. Boselie, Frans. 1984. Complex and simple proportions and the aesthetic attractivity of visual patterns. Perception 13(2): 91-96. [DOI:10.1068/p130091]
8. Branch, N.J. 2011. The dome in Christian and Islamic sacred architecture.
9. Brown, Jennifer Rees, Rick van der Zwan, and Anna Brooks. 2012. Eye of the beholder: Symmetry perception in social judgments based on whole body displays. i-Perception 3(7): 398. [DOI:10.1068/i0495]
10. Cowan, Henry J. 1977. A history of masonry and concrete domes in building construction. Building and Environment 12(1): 1-24. [DOI:10.1016/0360-1323(77)90002-6]
11. Crasmareanu, Mircea and Cristina-Elena Hreţcanu. 2008. Golden differential geometry. Chaos, Solitons & Fractals 38(5): 1229-38. [DOI:10.1016/j.chaos.2008.04.007]
12. Davis, Susan T and John C Jahnke. 1991. Unity and the golden section: Rules for aesthetic choice? The American Journal of Psychology 104(2): 257-77. [DOI:10.2307/1423158]
13. Djazbi, Seyed Ali Reza. 1985."Iranian arches, according to Ghiasuddin Jamshid Kashani. Asar 10: 166-74. [In Persian]
14. Fechner, Gustav Theodor. 1871. Zur experimentalen Aesthetik. Hirzel.
15. Fechner, Gustav Theodor. 1876. Vorschule der aesthetik. Breitkopf & Härtel.
16. Friedenberg, Jay. 2012. Aesthetic judgment of triangular shape: Compactness and not the golden ratio determines perceived attractiveness. i-Perception 3(3): 163. [DOI:10.1068/i0484]
17. Godkewitsch, Michael. 1974. The golden section: an artifact of stimulus range and measure of preference. The American Journal of Psychology 87(1-2): 269-77. [DOI:10.2307/1422021]
18. Grütter, Jörg Kurt. 1987. Ästhetik der Architektur: Grundlagen der Architektur-Wahrnehmung. Translated by Jahanshah Pakzad. 2007. Tehran: Shahid Beheshti University. [in Persian].
19. Gye, D. H. 1988. Arches and domes in Iranian Islamic Buildings: An engineer's perspective. Iran 26: 129-44. [DOI:10.2307/4299807]
20. Herz-Fischler, Roger. 2001. Proportions in the Architecture Curriculum. Nexus Network Journal 3(2): 163-85. [DOI:10.1007/s00004-001-0032-7]
21. Huerta Fernández, Santiago and Ricardo Aroca Hernández-Ros. 1989. Masonry Domes: A study on proportion and similarity. In Proceedings of IASS 30th Anniversary World Congress, Madrid 11-15 September 1989. Vol. 1.
22. Huerta, Santiago. 2007. Oval domes: History, geometry and mechanics. Nexus Network Journal 9(2):211-48. https://doi.org/10.1007/978-3-7643-8699-3_4 [DOI:10.1007/s00004-007-0040-3]
23. Kheyri, Ali. 2010. The arch of Iranian Islamic architecture in Moftah al-Hassab Ghiyasuddin Kashani. Book of Science and Technology 129(4): 28-34. [in Persian].
24. Lefebvre, Vladimir A. 1992. A rational equation for attractive proportions. Journal of Mathematical Psychology 36(1): 100-28. [DOI:10.1016/0022-2496(92)90054-B]
25. Mahshid, Minoo, Alireza Khoshvaghti, Masoud Varshosaz, and Naser Vallaei. 2004. Evaluation of "golden proportion" in individuals with an esthetic smile. Journal of Esthetic and Restorative Dentistry 16(3): 185-92. [in Persian]. [DOI:10.1111/j.1708-8240.2004.tb00032.x]
26. Marlowe, Frank, and Adam Wetsman. 2001. Preferred waist-to-hip ratio and ecology. Personality and individual differences 30(3): 481-89. [DOI:10.1016/S0191-8869(00)00039-8]
27. Marlowe, Frank, Coren Apicella, and Dorian Reed. 2005. Men's preferences for women's profile waist-to-hip ratio in two societies. Evolution and Human Behavior 26(6): 458-68. [DOI:10.1016/j.evolhumbehav.2005.07.005]
28. McManus, I. C., Richard Cook, and Amy Hunt. 2010. Beyond the golden section and normative aesthetics: Why do individuals differ so much in their aesthetic preferences for rectangles? Psychology of Aesthetics, Creativity, and the Arts 4(2): 113. [DOI:10.1037/a0017316]
29. McManus, I. C. 1980. The aesthetics of simple figures. British Journal of Psychology 71(4): 505-24. [DOI:10.1111/j.2044-8295.1980.tb01763.x]
30. Piehl, Jochen. 1978. The golden section: The "true" ratio? Perceptual and Motor Skills 46(3): 831-34. [DOI:10.2466/pms.1978.46.3.831]
31. Pirnia, Karim, and Zohreh Bozorgmehri. 1366. Arches and vaults. Asar 24: 5-45. [in Persian].
32. ---. 1370. Dome in Iranian architecture. Asar 20: 5-139. [in Persian]
33. Raghubir, Priya and Eric A. Greenleaf. 2006.Ratios in proportion: What should the shape of the package be? Journal of Marketing 70(2): 95-107. [DOI:10.1509/jmkg.70.2.95]
34. Russell, Phil A. 2000. Testing the aesthetic significance of the golden-section rectangle. Perception-London 29(12): 1413-22. [DOI:10.1068/p3037]
35. Seghers, M. J., J. J. Longacre, and G. A. Destefano. 1964. The golden proportion and beauty. Plastic and Reconstructive Surgery 34 (4): 382-86. [DOI:10.1097/00006534-196410000-00007]
36. Sharp, John. 2002. Richard Padovan-Proportion: Science, Philosophy, Architecture. Nexus Network Journal 4(1): 113-22. [DOI:10.1007/s00004-001-0008-7]
37. Sinclair, Nathalie. 2004. The roles of the aesthetic in mathematical inquiry. Mathematical Thinking and Learning 6(3): 261-84. [DOI:10.1207/s15327833mtl0603_1]
38. Singh, Devendra. 2002. Female mate value at a glance: Relationship of waist-to-hip ratio to health, fecundity and attractiveness. Neuroendocrinology Letters 23(4): 81-91.
39. Tymoczko, Dmitri. 2011. A geometry of music: harmony and counterpoint in the extended common practice. Oxford University Press.
40. Wahdattalab, Massoud, and Elham Rezayizadeh. 2016. Dome morphology (research on aesthetic proportions and distribution of domes of mosques in central plateau of Iran). Culture of Islamic Architecture and Urbanism 2(2): 109-24. [in Persian]
41. Weber, Jürgen. 2002. The judgment of the eye: The metamorphoses of geometry-One of the sources of visual perception and consciousness. Springer.
42. Zomarshidi, Hosein 1967. Arch and vaults in Iranian architecture. Tehran: Keyhan Publications. [in Persian]

Send email to the article author


Rights and permissions
Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

© 2024 CC BY-NC 4.0 | Culture of Islamic Architecture and Urbanism Journal

Designed & Developed by : Yektaweb